A comparative study of Chinese and Western landscape photography from a cross-cultural perspective: Taking “Yangtze, The Long River”, “North Flow” and “Sleeping by the Mississippi” as examples

DOI

10.2991/978-2-38476-319-1_45How to use a DOI?

Keywords

Landscape photography; Photographic art; Cross-cultural communication; Comparative study

Abstract

Landscape photography has become a very important part of contemporary world photography because of its ability to express and reflect on social issues. This article takes the works “Yangtze, The Long River”, “North Flow” and “Sleeping by the Mississippi” by three photographers Nadav Kander, Zhang Kechun and Alec Soth as the research basis, analyzes the three works from the perspective of cultural dimension theory, and explores the possible development direction of landscape photography in China in the future.

Copyright

© 2024 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Yangming Li
PY  - 2024
DA  - 2024/12/14
TI  - A comparative study of Chinese and Western landscape photography from a cross-cultural perspective: Taking “Yangtze, The Long River”, “North Flow” and “Sleeping by the Mississippi” as examples
BT  - Proceedings of the 2024 6th International Conference on Literature, Art and Human Development (ICLAHD 2024)
PB  - Atlantis Press
SP  - 395
EP  - 400
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-319-1_45
DO  - 10.2991/978-2-38476-319-1_45
ID  - Li2024
ER  -