Proceedings of the 7th International Conference on Literature, Art and Human Development (ICLAHD 2025)

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The Aria “Possente spirto, e formidabil nume” in Monteverdi’s L’Orfeo

Authors
Jingyu Gong1, *
1Chengyi College, Jimei University, Xiamen, Fujian, China
*Corresponding author. Email: gjy20050617@outlook.com
Corresponding Author
Jingyu Gong
Available Online 31 December 2025.
DOI
10.2991/978-2-38476-511-9_14How to use a DOI?
Keywords
Monteverdi; L’Orfeo; Possente spirto; e formidabil nume
Abstract

This paper studies the aria “Possente spirto, e formidabil nume” in Monteverdi’s L’Orfeo, and analyses its artistic characteristics through multiple angles and levels to show the aesthetics and skills of arias in early Baroque operas. At present, the studies of Monteverdi’s opera L’Orfeo is in the preliminary level, especially the analysis of the aria, which creates a space for research. The “Possente spirto, e formidabil nume” in L’Orfeo is the most lyrical aria in this opera. This study can give an in-depth understanding of Monteverdi’s creative methods and how to shape characters and express emotions. The aria is a milestone in the history of opera development. It marks the gradual maturity of opera from the early experimental stage, setting a model for later generations of opera creation. The themes of love, courage and faith conveyed through the music transcend the boundaries of time and space, triggering the emotional resonance of listeners in different eras and cultural backgrounds.

Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 7th International Conference on Literature, Art and Human Development (ICLAHD 2025)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
31 December 2025
ISBN
978-2-38476-511-9
ISSN
2352-5398
DOI
10.2991/978-2-38476-511-9_14How to use a DOI?
Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

risenwbib
TY  - CONF
AU  - Jingyu Gong
PY  - 2025
DA  - 2025/12/31
TI  - The Aria “Possente spirto, e formidabil nume” in Monteverdi’s L’Orfeo
BT  - Proceedings of the 7th International Conference on Literature, Art and Human Development (ICLAHD 2025)
PB  - Atlantis Press
SP  - 129
EP  - 136
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-511-9_14
DO  - 10.2991/978-2-38476-511-9_14
ID  - Gong2025
ER  -