Proceedings of the 7th International Conference on Literature, Art and Human Development (ICLAHD 2025)

Staging Authenticity: The Shifting Performance Strategies and Overseas Reception of Chinese Folk Music

Authors
Meiyou Wang1, *
1University of Leeds, Leeds, LS2 9JT, United Kingdom
*Corresponding author. Email: wangmeiyou2026@163.com
Corresponding Author
Meiyou Wang
Available Online 31 December 2025.
DOI
10.2991/978-2-38476-511-9_67How to use a DOI?
Keywords
Chinese folk music; performance strategies; cultural authenticity; cross-cultural reception; digital dissemination
Abstract

This paper employs an analytical and observational approach, to examine the shifting performance strategies and overseas reception of Chinese folk music across three historical phases. It explores the transition from early symbolic representations emphasizing exotic spectacle, through a phase focused on empathy and cross-cultural dialogue, to the current digital era characterized by interactive and technologically mediated performances. The study concludes that effective cultural influence relies not on one-way presentation but on dynamic, reciprocal engagement, where performers act as cultural interpreters and collaborative partners. This evolution underscores the importance of integrating technical skill, cultural depth, and technological literacy to foster genuine and lasting global resonance. The research highlights the role of performance as a medium for meaningful cultural exchange and redefines authenticity in a transnational context.

Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 7th International Conference on Literature, Art and Human Development (ICLAHD 2025)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
31 December 2025
ISBN
978-2-38476-511-9
ISSN
2352-5398
DOI
10.2991/978-2-38476-511-9_67How to use a DOI?
Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Meiyou Wang
PY  - 2025
DA  - 2025/12/31
TI  - Staging Authenticity: The Shifting Performance Strategies and Overseas Reception of Chinese Folk Music
BT  - Proceedings of the 7th International Conference on Literature, Art and Human Development (ICLAHD 2025)
PB  - Atlantis Press
SP  - 584
EP  - 591
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-511-9_67
DO  - 10.2991/978-2-38476-511-9_67
ID  - Wang2025
ER  -