Proceedings of the 2024 4th International Conference on Public Art and Human Development (ICPAHD 2024)

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Aesthetic Reflection and Philosophical Dimension of Clothing Art in AIGC Era: An Analysis Based on Merleau-Ponty’s Perspective

Authors
Yunzhen Lin1, 2, *
1The Advanced Institute for Confucian Studies, Shandong University, Jinan, Shandong, 250100, China
2Art&Design College, Putian University, Putian, Fujian, 351100, China
*Corresponding author. Email: yunzhen95@126.com
Corresponding Author
Yunzhen Lin
Available Online 31 March 2025.
DOI
10.2991/978-2-38476-378-8_38How to use a DOI?
Keywords
artificial intelligence; clothing design; phenomenology; Merleau-Ponty; subjectivity
Abstract

The breakthrough of artificial intelligence technology has an impact on the design concept and creative strategy of contemporary clothing art, which also leads to the discussion of artistic digestion, subjectivity loss and technical anxiety of generative works. The fundamental reason lies in the misunderstanding of body concept and man-machine relationship. By taking Merleau-Ponty’s perceptual phenomenology as the theoretical entrance and method support of the research, it shows that artificial intelligence technology is integrated into the “body schema” to form an intelligent embodied relationship with human beings, and shows the transformation of clothing experience mode in the context of digital intelligence from three aspects: perceptual synaesthesia effect, perceptual field construction and virtual space invasion. Based on philosophical reflection, this paper clarifies the “body turn” of contemporary fashion design concept, and opens up a way topromote the renewal of aesthetic discourse.

Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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<Previous Article In Volume
Volume Title
Proceedings of the 2024 4th International Conference on Public Art and Human Development (ICPAHD 2024)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
31 March 2025
ISBN
978-2-38476-378-8
ISSN
2352-5398
DOI
10.2991/978-2-38476-378-8_38How to use a DOI?
Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

risenwbib
TY  - CONF
AU  - Yunzhen Lin
PY  - 2025
DA  - 2025/03/31
TI  - Aesthetic Reflection and Philosophical Dimension of Clothing Art in AIGC Era: An Analysis Based on Merleau-Ponty’s Perspective
BT  - Proceedings of the 2024 4th International Conference on Public Art and Human Development (ICPAHD 2024)
PB  - Atlantis Press
SP  - 335
EP  - 341
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-378-8_38
DO  - 10.2991/978-2-38476-378-8_38
ID  - Lin2025
ER  -