Proceedings of the 2025 International Conference on Mental Growth and Human Resilience (MGHR 2025)

Research on Cinematic Language and Sound Design in Feminist Film-Making

Authors
Yanfei Chen1, *
1Guangdong Country Garden School, Guangdong, 528312, China
*Corresponding author. Email: chenyanfei@gcgsedu.com
Corresponding Author
Yanfei Chen
Available Online 15 December 2025.
DOI
10.2991/978-2-38476-509-6_38How to use a DOI?
Keywords
Feminist Movies; Sound Designs; Cinematic Languages; Women Empowerment
Abstract

This study focuses on the transformative power of cinematic language and sound design in feminist filmmaking, examining how they combine to challenge patriarchal representation and reconstruct women’s subjectivity. Moving beyond merely analyzing narratives and themes, it explores several visual cinematic techniques, including shot compositions, camera movements, and coloration, and audio techniques, including songs and sound effects. Furthermore, Through several literature reviews and thorough analysis of famous feminist movies, such as Girls on Wire (2025), Thelma & Loise (1991), and Suffragette (2015). These scene analyses and theoretical reviews reveal that feminist filmmakers successfully subvert Hollywood conventions by emphasizing emotional depth, conveying personal agency, or disembodying patriarchal controls. Thus, they created new possibilities for gender representation and character development, allowing for more fluid, diverse, and agency-driven portrayals that move beyond binary stereotypes and conventional character arcs. Although films have become a powerful tool to achieve gender equality, future research should expand this framework to the intersectional and global context, thus further improving feminist media aesthetics and inclusivity.

Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2025 International Conference on Mental Growth and Human Resilience (MGHR 2025)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
15 December 2025
ISBN
978-2-38476-509-6
ISSN
2352-5398
DOI
10.2991/978-2-38476-509-6_38How to use a DOI?
Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Yanfei Chen
PY  - 2025
DA  - 2025/12/15
TI  - Research on Cinematic Language and Sound Design in Feminist Film-Making
BT  - Proceedings of the 2025 International Conference on Mental Growth and Human Resilience (MGHR 2025)
PB  - Atlantis Press
SP  - 352
EP  - 359
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-509-6_38
DO  - 10.2991/978-2-38476-509-6_38
ID  - Chen2025
ER  -