Proceedings of the 2024 9th International Conference on Modern Management, Education and Social Sciences (MMET 2024)

The Difference Between Belcanto Repertoire and Pop Song

Authors
Chenyang Feng1, *
1Chung-Ang University Anseong Campus, 4726 Seodong-daero, Daedeok-myeon, Gyeonggi-do, Anseong-si, 17546, Republic of Korea
*Corresponding author. Email: fengchenyangkr163@naver.com
Corresponding Author
Chenyang Feng
Available Online 9 December 2024.
DOI
10.2991/978-2-38476-309-2_6How to use a DOI?
Keywords
Bel canto singing; pop singing; differences; vocal technique; musical effect
Abstract

In today’s diverse musical industry, Belcanto singing and pop singing, as two main genres, each contain a unique artistic style and expression. Although they are both comprehensive style of singing, which have great differences in the themes, traditions, and aesthetic standards as a student who has studied both Belcanto and pop singing, this study realizes that it is essential for music learners to understand the differences between the two styles, and to avoid confusion among future students in the learning process, also to explore the differences between Belcanto singing and pop singing, and analyze the similarities and differences between the two musical forms. Through the comparison and analysis of the nature of Belcanto and popular singing works, this article talks about techniques and characteristics, the presentation of the works, and the average production cost, and the differences are revealed. This study found that Belcanto singing focuses on vocal techniques and the continuation of classical traditions, and its interpretation requires higher musical skills and muscianship. Pop singing, on the other hand, tends to be concise and catchy tunes and lyrics, and pays more attention to the appreciation of a wide range of listeners. By dissecting these differences in depth, this study aims to provide a clearer understanding of musical exprience, while providing some new perspectives and revelations for the field of music studies, thereby promoting a deeper understanding and appreciation of musical forms and styles.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2024 9th International Conference on Modern Management, Education and Social Sciences (MMET 2024)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
9 December 2024
ISBN
978-2-38476-309-2
ISSN
2352-5398
DOI
10.2991/978-2-38476-309-2_6How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Chenyang Feng
PY  - 2024
DA  - 2024/12/09
TI  - The Difference Between Belcanto Repertoire and Pop Song
BT  - Proceedings of the 2024 9th International Conference on Modern Management, Education and Social Sciences (MMET 2024)
PB  - Atlantis Press
SP  - 41
EP  - 52
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-309-2_6
DO  - 10.2991/978-2-38476-309-2_6
ID  - Feng2024
ER  -