Cultural Transmission and Emotional Resonance in Live Music Experiences: A Critical Narrative Review
Authors
*Corresponding author.
Email: zg1y25@soton.ac.uk
Corresponding Author
Ziyi Guo
Available Online 15 May 2026.
- DOI
- 10.2991/978-2-38476-577-5_93How to use a DOI?
- Keywords
- Live Music; Emotional Resonance; Cultural Transmission; Collective Identity; Music Industry
- Abstract
Through an interdisciplinary literature review, this article explores how live music can promote cultural heritage, identity formation and cross-cultural communication through the process of emotional resonance. At the same time, the review critically examines how industry structure, institutional power and economic inequality in the field of live music shape these processes.
- Copyright
- © 2026 The Author(s)
- Open Access
- Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.
Cite this article
TY - CONF AU - Ziyi Guo PY - 2026 DA - 2026/05/15 TI - Cultural Transmission and Emotional Resonance in Live Music Experiences: A Critical Narrative Review BT - Proceedings of the 2026 5th International Conference on Social Sciences and Humanities and Arts (SSHA 2026) PB - Atlantis Press SP - 925 EP - 932 SN - 2352-5398 UR - https://doi.org/10.2991/978-2-38476-577-5_93 DO - 10.2991/978-2-38476-577-5_93 ID - Guo2026 ER -