Practice as Research: Exploring the Synergy Between Creation and Critique

DOI

10.2991/978-2-38476-535-5_24How to use a DOI?

Keywords

Artistic research; Practice-based research; Practice-led research; Creative practice; Artist-researcher; Knowledge production; Reflexive methodology; Interdisciplinary inquiry; Embodied knowledge; Artistic epistemology; Art as investigation; Sensory Knowledge; Creation and critique

Abstract

Artistic practice and research have progressively merged in recent decades, leading to a strong interdisciplinary field that connects the realms of creation, critical examination, and academic exploration. This article investigates the dynamic relationship between art and research, analyzing how incorporating research methods into artistic practices not only enriches the creative process but also aids in producing new kinds of knowledge. By examining historical paths, changing theoretical models, and relevant case studies, the paper clarifies the interconnected relationship between creation and meaning, highlighting the link between the act of making and the process of contemplation. Special attention is given to the differences and similarities between practice-based and practice-led research models, highlighting how artists utilize research both as a methodological tool and as an integral part of their creative process. The paper also explores how these methods allow artists to thoughtfully reflect on their practices, situate their creations within larger cultural and intellectual discussions, and offer unique perspectives to both artistic and scholarly circles.

This paper contemplates the merging of artistic practice and scholarly research, which encourages a deeper, more intricate comprehension of art—not merely as a means of expression, but as a powerful tool for examining intricate societal, cultural, and philosophical questions. It highlights the transformative capacity of the artist-researcher as a person who both generates and evaluates, influencing modern discussions through a combined perspective of creativity and critique.

Copyright

© 2026 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Pallavi Majumder
PY  - 2026
DA  - 2026/03/16
TI  - Practice as Research: Exploring the Synergy Between Creation and Critique
BT  - Proceedings of the International Conference on Creativity, Innovation & Design (ICCID 2025)
PB  - Atlantis Press
SP  - 330
EP  - 344
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-535-5_24
DO  - 10.2991/978-2-38476-535-5_24
ID  - Majumder2026
ER  -