An Analysis of Cultural Difference between Chinese and American Films and TV Series Under the Guidance of Hofstede’s Cultural Dimensions

DOI

10.2991/978-2-38476-364-1_84How to use a DOI?

Keywords

Film and media; Hofstede’s cultural dimensions; Power distance; Individualism and Collectivism

Abstract

As globalization deepens, cross-cultural communication flourishes, leading to a greater interaction between global cultures. Yet, beneath such interconnection lies distinct and entrenched local beliefs and cultures. This difference is particularly evident in varying perceptions, customs, and interpersonal relationships, that are captured in films and television shows. Using Hofstede’s cultural dimensions as a guide, this paper explores the cultural divergences between Chinese and American films. The paper analyzes four films: The Farewell and The Wedding Banquet, which explore the intersection of Chinese and American cultural values, and A Grandson from America and Fresh off the Boat, which highlight cross-cultural dynamics between traditional Chinese values and modern American society. This comparison looks at how these films differ in their storytelling and expression across four areas: individualism versus collectivism, power distance, uncertainty avoidance, and long-term versus short-term orientation. The analysis highlights pronounced disparities in portraying interpersonal relationships, societal hierarchies, individual roles within society, and perspectives on the future, underscoring the distinct cultural ethos of each country.

Copyright

© 2025 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Yingreng Tan
PY  - 2025
DA  - 2025/03/17
TI  - An Analysis of Cultural Difference between Chinese and American Films and TV Series Under the Guidance of Hofstede’s Cultural Dimensions
BT  - Proceedings of the 2024 4th International Conference on Education, Language and Art (ICELA 2024)
PB  - Atlantis Press
SP  - 677
EP  - 683
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-364-1_84
DO  - 10.2991/978-2-38476-364-1_84
ID  - Tan2025
ER  -