Proceedings of the 3rd International Conference on Culture and Sustainable Development (ICOCAS 2025)

Cacophony in Robert Browning’s “Meeting at Night”

Authors
Ariya Jati1, *
1Faculty of Humanities, Diponegoro University, Semarang, 50275, Indonesia
*Corresponding author. Email: ariya.jati@live.undip.ac.id
Corresponding Author
Ariya Jati
Available Online 19 December 2025.
DOI
10.2991/978-2-38476-503-4_8How to use a DOI?
Keywords
rhyme scheme; rhythm pattern; metre pattern; pitch articulation; music notation
Abstract

This article concerns with cacophony in one of Robert Browning’s poems, “Meeting at Night”. Musicality in his poem has often been overlooked; little is known about its rhyme, rhythm, and metre. The study of this article is intended to describe the poem’s sound elements using poetic scansion, and transform the sound elements into music arrangement using music notation. The significance of the study lies on two things: one, the poetic scansion constituting the poem’s rhyme scheme as well as rhythm and metre pattern; two, the music notation constituting the music arrangement. The study adopts Rene Wellek and Austin Warren’s concept of euphony, and it also adopts Tom Kolb’s music theory. The study applies Mary W George’s library research methodology. The analysis in the study falls into three stages: first, poetic scansion; second, pitch articulation; third, music notation. The analysis results in the poetic rhyme, poetic rhythm, poetic metre, pitch articulation, and music notation. The study brings forward transformation of the poetic scansion into the music notation. In all, Browning’s “Meeting at Night” is not only poetic, but it is also musical.

Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 3rd International Conference on Culture and Sustainable Development (ICOCAS 2025)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
19 December 2025
ISBN
978-2-38476-503-4
ISSN
2352-5398
DOI
10.2991/978-2-38476-503-4_8How to use a DOI?
Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Ariya Jati
PY  - 2025
DA  - 2025/12/19
TI  - Cacophony in Robert Browning’s “Meeting at Night”
BT  - Proceedings of the 3rd International Conference on Culture and Sustainable Development (ICOCAS 2025)
PB  - Atlantis Press
SP  - 61
EP  - 69
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-503-4_8
DO  - 10.2991/978-2-38476-503-4_8
ID  - Jati2025
ER  -