“Caged Bird” and “Creeping Vine”: On the “Cinderella” Image in Persuasion and Jane Eyre

DOI

10.2991/978-2-38476-309-2_28How to use a DOI?

Keywords

“Cinderella image”; Persuasion; Jane Eyre; Feminine growth

Abstract

Jane Austen and Charlotte Bronte’s works achieved a breakthrough of the “Cinderella” pattern, presenting an ascension of female power, making women the saviors of male characters. It is worth noting that the way of salvation is different, which must contain different feminine qualities and reflect different female growth. And how the happy ending of Cinderella should be achieved is still a thought-provoking question.

Copyright

© 2024 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Jiamin Liu
PY  - 2024
DA  - 2024/12/09
TI  - “Caged Bird” and “Creeping Vine”: On the “Cinderella” Image in Persuasion and Jane Eyre
BT  - Proceedings of the 2024 9th International Conference on Modern Management, Education and Social Sciences (MMET 2024)
PB  - Atlantis Press
SP  - 224
EP  - 230
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-309-2_28
DO  - 10.2991/978-2-38476-309-2_28
ID  - Liu2024
ER  -