Proceedings of the 2024 3rd International Conference on Educational Science and Social Culture (ESSC 2024)

Spreading the Ideas of Anti-Asian Hate: A Case Study of Asian Protest Artwork Through Digital Ethnography Approach

Authors
Xiaotong Wu1, *
1University of California, Los Angeles, USA
*Corresponding author. Email: 1294636365@qq.com
Corresponding Author
Xiaotong Wu
Available Online 3 April 2025.
DOI
10.2991/978-2-38476-384-9_97How to use a DOI?
Keywords
Protest arts; Anti-Asian Hate; Anti-Racism; Digital Ethnography; Female artist
Abstract

The author examines the history of anti-Asian racism in relation to the ways in which people have constructed, stereotyped, and perpetuated the political and social interests of a particular group, recognizing that popular and visual culture reflects the social and political climates of different historical periods. Throughout history, Asian and Pacific Islanders have often been portrayed in a stereotyped manner in popular media. While African Americans highlight the detrimental stereotypes of Black individuals in media and popular culture, Asian Americans also recognize the profound influence of these media and cultural materials on their life, extending beyond just humor or amusement. The pandemic and COVID-19 have recently brought to a resurgence of negative stereotypes and social prejudice against Asian Americans. The media and politicians singled out China as the origin of the virus. Many Asians were erroneously perceived and associated solely with Chinese ethnicity, despite the fact that there is a wide range of diverse ethnicities and countries within the Asian continent, including Japanese, Taiwanese, Korean, Filipino, Mongolian, Malaysian, Indonesian, Tibetan, Vietnamese, and others. Hence, active involvement in relevant social activities is important, and protest art stands out as a prevalent medium. This raises the question of how Asian artists promote the concept and public knowledge of equal human rights and anti-racism through public art forms. The author aims to study the work of two renowned female Asian artists using cultural and contextual analytic methodologies. By combining the digital media platform with visual arts, activists and social groups may effectively evoke emotions and motivate public action.

Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2024 3rd International Conference on Educational Science and Social Culture (ESSC 2024)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
3 April 2025
ISBN
978-2-38476-384-9
ISSN
2352-5398
DOI
10.2991/978-2-38476-384-9_97How to use a DOI?
Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Xiaotong Wu
PY  - 2025
DA  - 2025/04/03
TI  - Spreading the Ideas of Anti-Asian Hate: A Case Study of Asian Protest Artwork Through Digital Ethnography Approach
BT  - Proceedings of the 2024 3rd International Conference on Educational Science and Social Culture (ESSC 2024)
PB  - Atlantis Press
SP  - 854
EP  - 860
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-384-9_97
DO  - 10.2991/978-2-38476-384-9_97
ID  - Wu2025
ER  -