From “Her Gaze” Performance to “Systemic Control” Cognition: A Theoretical Refutation and Player Study of the “Female-Centered” Narrative in Love and Deepspace
- DOI
- 10.2991/978-2-38476-597-3_23How to use a DOI?
- Keywords
- tome games; Female-centered narrative; Symbolic consumption; Gaze; Parasocial relationship
- Abstract
This paper aims to explore the essence of the “female-centered” narrative in the Chinese 3D otome game Love and Deepspace, analyzing how female agency is reconstructed under commercial logic. Using textual analysis and in-depth interviews, combined with theories of the “male gaze,” symbolic consumption, and parasocial interaction, the study systematically examines game mechanisms and the perceptions of 16 dedicated players. The study finds that the “female-centered” aspect is not a structural subversion but a performative packaging serving consumer structures; although technology grants players first-person viewing privileges, the viewing path remains constrained by systemic presets. While enjoying emotional companionship, most players have gradually developed a conscious awareness of systemic manipulation. Chinese otome games face a deep dilemma between responding to female desires and maintaining their commercial nature. True feminist expression requires breaking through systemic induction to reclaim subjective construction of narrative and gaze.
- Copyright
- © 2026 The Author(s)
- Open Access
- Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.
Cite this article
TY - CONF AU - Shiyu Li PY - 2026 DA - 2026/07/13 TI - From “Her Gaze” Performance to “Systemic Control” Cognition: A Theoretical Refutation and Player Study of the “Female-Centered” Narrative in Love and Deepspace BT - Proceedings of the 4th International Conference on Language and Cultural Communication (ICLCC 2026) PB - Atlantis Press SP - 202 EP - 208 SN - 2352-5398 UR - https://doi.org/10.2991/978-2-38476-597-3_23 DO - 10.2991/978-2-38476-597-3_23 ID - Li2026 ER -