XR Audio-to-video Synchronization Technology - Film “Can Be Produced Anyway”

DOI

10.2991/978-2-38476-462-4_64How to use a DOI?

Keywords

Audio-visual synchronization; Timecode; XR technology; Motion Control (MOCO)

Abstract

This paper systematically explores the core technologies of audio-visual synchronization in film and television production and their application in both traditional and modern production workflows. Through case studies, it focuses on analyzing synchronization methods employed in the use of film clappers, timecode, leader film, Motion Control (MOCO) systems, and Extended Reality (XR) technology. Furthermore, solutions are proposed to address synchronization issues both within and across these systems. The research findings demonstrate that the concept of synchronization permeates the entire film and television production process. The core of technological innovation lies in achieving precise alignment of multi-source data through standardized references, thereby providing efficient safeguards for post-production.

Copyright

© 2025 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Nan Tian
PY  - 2025
DA  - 2025/09/12
TI  - XR Audio-to-video Synchronization Technology - Film “Can Be Produced Anyway”
BT  - Proceedings of the 2025 9th International Seminar on Education, Management and Social Sciences (ISEMSS 2025)
PB  - Atlantis Press
SP  - 577
EP  - 586
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-462-4_64
DO  - 10.2991/978-2-38476-462-4_64
ID  - Tian2025
ER  -