Proceedings of the International Conference on Communication and Applied Technologies 2025 (ICOMTA 2025)

Representation of the Characters in the Dramatic Conflict of the 1976 Feature Film

Authors
Enzo-Marcelo Solorio Urquizo1, Alejandro-Hernan Seminario-Campos1, Yasmin Sayan-Casquino1, *
1Universidad Peruana de Ciencias Aplicadas, Prolongación Primavera, 2390, Lima, Perú
*Corresponding author. Email: pcavysay@upc.edu.pe
Corresponding Author
Yasmin Sayan-Casquino
Available Online 22 October 2025.
DOI
10.2991/978-94-6463-868-4_36How to use a DOI?
Keywords
Military dictatorship; Pinochet; Politics; Audiovisuals; Dramatic conflict
Abstract

In today’s world of entertainment, Latin American cinematography encompasses a casual audience in pursuit of recreational purposes as a way to clear the mind of duties or work. Audiovisual production companies know and study their audience to offer them what they need, but nevertheless, there are others who apply the audiovisual media as a tool to tell a story rich in historical and political content to raise awareness through the act of preserving the memory of the consequences of a country’s politics. Through the dramatic conflict within the audiovisual narrative of the feature film “1976”, we seek to investigate the representation of the actions of politicians during the Chilean military dictatorship of Augusto Pinochet. This article seeks to determine the political value of the dictatorship in the extreme right-wing opposition exercised towards the leftist population, as well as its repercussions and human rights violations towards the repressed at a national level, which were projected in Manuela Martelli’s film through the course of the conflict that moves the plot of her story.

Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Download article (PDF)

Volume Title
Proceedings of the International Conference on Communication and Applied Technologies 2025 (ICOMTA 2025)
Series
Atlantis Highlights in Social Sciences, Education and Humanities
Publication Date
22 October 2025
ISBN
978-94-6463-868-4
ISSN
2667-128X
DOI
10.2991/978-94-6463-868-4_36How to use a DOI?
Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Enzo-Marcelo Solorio Urquizo
AU  - Alejandro-Hernan Seminario-Campos
AU  - Yasmin Sayan-Casquino
PY  - 2025
DA  - 2025/10/22
TI  - Representation of the Characters in the Dramatic Conflict of the 1976 Feature Film
BT  - Proceedings of the International Conference on Communication and Applied Technologies 2025 (ICOMTA 2025)
PB  - Atlantis Press
SP  - 390
EP  - 404
SN  - 2667-128X
UR  - https://doi.org/10.2991/978-94-6463-868-4_36
DO  - 10.2991/978-94-6463-868-4_36
ID  - Urquizo2025
ER  -