The Study on Sanyu’s Painting from the Perspective of the Fusion of Chinese and Western Aesthetics

DOI

10.2991/978-2-38476-432-7_20How to use a DOI?

Keywords

Fusion of Chinese and Western; Sanyu; Painting aesthetics

Abstract

As a painter with significant influence in the international art circle, Sanyu’s works combine the essence of Eastern and Western cultures. In his works, he not only embodies the origin of Chinese aesthetics, natural harmony and the pursuit of inner emotion and life origin, but also absorbs elements of Western modern art schools such as Fauvism and Expressionism. In terms of composition, lines, colors and shapes, Sanyu’s works show his unique artistic style and profound aesthetic implications. Based on the context of “integration of Chinese and Western”, this study aims to deeply explore the connotation and form of the integration of Chinese and Western aesthetics in Sanyu painting art by using comparative research and cross-cultural research, combined with aesthetic theories.

Copyright

© 2025 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Yuying Yan
PY  - 2025
DA  - 2025/06/22
TI  - The Study on Sanyu’s Painting from the Perspective of the Fusion of Chinese and Western Aesthetics
BT  - Proceedings of the 2025 4th International Conference on Social Sciences and Humanities and Arts (SSHA 2025)
PB  - Atlantis Press
SP  - 167
EP  - 179
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-432-7_20
DO  - 10.2991/978-2-38476-432-7_20
ID  - Yan2025
ER  -