Proceedings of the International Moving Image Cultures Conference (IMOVICCON 2025)

International Moving Image Cultures Conference (IMOVICCON 2025)

📍Kab. Tangerang, Indonesia🗓️ 20-21 November 2025

Visual Floorplan Strategy for Camera and Lighting of “Our Story, Batak Weaving”, Fashion Documentary Film

Authors
Jaselyn Harianto1, *, Juan Paskalis2
1Universitas Pelita Harapan, Lippo Karawaci, Indonesia
2Universitas Pelita Harapan, Lippo Karawaci, Indonesia
*Corresponding author. Email: 01023210034@student.uph.edu
Corresponding Author
Jaselyn Harianto
Available Online 4 September 2026.
DOI
10.2991/978-2-38476-603-1_21How to use a DOI?
Keywords
Documentary Film; Cinematography; Ulos; Contemporary Fashion
Abstract

This study examines the development of visual floorplan strategies for camera placement and lighting design in the fashion documentary film “Our Story, Batak Weaving.” The research aims to explore how cinematographic planning can enhance narrative delivery and strengthen cultural representation. Departing from the limitations of conventional production-based approaches, this study adopts a design-oriented research framework that integrates visual planning, spatial analysis, and cinematographic theory. Ulos, a traditional Batak textile, is positioned not only as a cultural artifact but also as a dynamic element within contemporary fashion discourse. The methodology combines field observation, visual analysis, and iterative floorplan design to determine camera positioning, movement, and lighting configurations. The study applies principles of cinematography, including composition, spatial continuity, and lighting aesthetics to create visual coherence and emotional depth. The findings indicate that structured floorplan strategies significantly contribute to visual storytelling effectiveness, particularly in highlighting texture, color, and symbolic meaning. This research contributes to documentary cinematography by proposing a systematic approach to visual planning while reinforcing the role of film as a medium for cultural preservation.

Copyright
© 2026 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the International Moving Image Cultures Conference (IMOVICCON 2025)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
4 September 2026
ISBN
978-2-38476-603-1
ISSN
2352-5398
DOI
10.2991/978-2-38476-603-1_21How to use a DOI?
Copyright
© 2026 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Jaselyn Harianto
AU  - Juan Paskalis
PY  - 2026
DA  - 2026/09/04
TI  - Visual Floorplan Strategy for Camera and Lighting of “Our Story, Batak Weaving”, Fashion Documentary Film
BT  - Proceedings of the International Moving Image Cultures Conference (IMOVICCON 2025)
PB  - Atlantis Press
SP  - 253
EP  - 268
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-603-1_21
DO  - 10.2991/978-2-38476-603-1_21
ID  - Harianto2026
ER  -