Proceedings of the 2025 4th International Conference on Science Education and Art Appreciation (SEAA 2025)

The Spatial Production and Underlying Writing of the Film “Black Dog”

Authors
Xiang Li1, *
1School of Chinese Languages and Literatures, Lanzhou University, Lanzhou, Gansu, 730000, China
*Corresponding author. Email: 1377169850@qq.com
Corresponding Author
Xiang Li
Available Online 31 July 2025.
DOI
10.2991/978-2-38476-452-5_29How to use a DOI?
Keywords
the film “Black Dog”; Space production; film space; Underlying writing
Abstract

From the perspective of Lefebvre’s “three-dimensional space” theory, this paper explores the relationship between the production of multiple Spaces and the expression of ideological content in Guan Hu’s the film “Black Dog”. As a film with the characteristics of new Western cinema, “Black Dog” fully reproduces the diverse natural features of the vast and majestic west in terms of material space presentation, and meticulously showcases the industrial elements and urban architecture of the northwest towns. In the social space, metaphorical symbols are used to express the traces left by The Times on industrial towns, focusing on the situation of marginal towns under the wheel of history, and exploring the issue of good and evil in social morality. In the spiritual space, with delicate strokes, the inner and outer speechlessness predicament of the marginalized people at the bottom is depicted, completing a tender portrayal of the marginalized people at the bottom, highlighting a strong humanistic sentiment.

Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2025 4th International Conference on Science Education and Art Appreciation (SEAA 2025)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
31 July 2025
ISBN
978-2-38476-452-5
ISSN
2352-5398
DOI
10.2991/978-2-38476-452-5_29How to use a DOI?
Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Xiang Li
PY  - 2025
DA  - 2025/07/31
TI  - The Spatial Production and Underlying Writing of the Film “Black Dog”
BT  - Proceedings of the 2025 4th International Conference on Science Education and Art Appreciation (SEAA 2025)
PB  - Atlantis Press
SP  - 230
EP  - 236
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-452-5_29
DO  - 10.2991/978-2-38476-452-5_29
ID  - Li2025
ER  -